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Asake named Audiomack’s 2022 ‘Artiste of The Year’

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Asake named Audiomack's 2022 'Artiste of The Year' - asake audiomack artiste year 1

Nigerian singer, Ahmed Ololade, also known as Asake has ended the year with another feather added to his hat of accomplishments.

Global music streaming platform, Audiomack crowned Asake the 2022 Artiste of The year and reeled out his career stats.

This was contained in a press release the website of the firm on Thursday, December 15, 2022.

Audiomack disclosed that he his debut album, Mr Money With The Vibe amassed over 300 million streams.

The streaming platform also revealed that the YBNL signee set the record as the highest-charting debut album from a Nigerian artist ever.

The statement reads; “In September, Asake released his debut album, Mr Money With The Vibe, a 30-minute bombardment of party-starters which amassed over 330 million streams on Audiomack, making its debut at No. 66 on the Billboard 200.

Mr Money With The Vibe set the record as the highest-charting debut album from a Nigerian artist ever.

The fuji-amapiano fusion attracted Burna Boy to hop on a remix in March, Re-Upped in April by Audiomack. The cosign from Burna Boy elevated Asake to another plane, and stamped him as Nigeria’s first big breakout of 2022. It was a lofty achievement at the time, but more was to come.

Asake’s tone centres on using his journey as a case study for overcoming the struggles of young Nigerians. Prior to this year’s breakthrough, he spent many years toiling in the entertainment space.

By the time he broke into the scene, it seemed like streaming and local radio charts were waiting for him to take his place at the top, which his songs did.

Asake’s achievements quickly became superfluous, with crooners such as “PBUY,” “Bandana” with Fireboy DML, and then a deal with independent juggernaut EMPIRE, to sing “Terminator.”

This year, Asake redefined what it means to be a breakout artist. Amidst an explosion of amapiano, and West African music’s continued global rise.

Asake has conquered cross-cultural fusion like no one else, to the point of putting South African music heavyweights on notice.”

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